Theory

As Facebook, Twitter, and other platforms transform the world we live in, younger artists have harnessed social media to make great art.

From found art wonders to Cory Arcangel, how a digital art form came into its own.

Paddy Johnson, Artnet, August 2, 2014

Collecting and Conserving Net Art explores the qualities and characteristics of net

CTheory is an electronic academic journal published since 1996.

School of Media, Arts and Sciences, Srishti Institute of Art, Design and Technology, Bangalore 560064, India Published: 1 July 2019

Abstract:

Collection of texts, dataviz, presentations and visual resources regarding digital culture, curatorial studies and post-digital practices.

Technical innovations shape only a small part of computer and network culture.

The world's first conceptual art ebook, "How To Be An Internet Artist" is an eclectic mix of new media fictions that explore many of the themes generated in Amerika's internationally-exhibited net

[Abstract] Digital art activities (commonly known as net art) refer to a wide range of works that are computer-based art, accessed freely online, created by artists using web browsers, developer co

Nettitudes contains five essays about art and new media, and consists of two parts.

netzspannung.org is a platform for interactive art and media art education.

The remixthebook.com website is the online hub for the digital remixes of many of the theories generated in the print book and features the work of artists, creative writers and scholars for whom t

This article identifies ten myths about Internet Art, and expalins the difficulties museums and others have understanding what it means to make art for the Internet.

The 3D Additivist Cookbook, devised and edited by Morehshin Allahyari & Daniel Rourke, is a free compendi

NET.ART

The First Life of Net Art: UBERMORGEN, JODI, Vuk Cosic, Olia Lialina

The preservation of net art is a complex topic which requires the construction of a specific approach to look at internet artwork, one that takes into account the material dimension of the artwork.

By Mindaugas Gapsevicius