net-art
Cease & Desist Art: yes, this is illegal!
art
lists Simona Lodi
Italy - Torino
live at liveperformersmeeting.net
Cease & Desist Art: yes, this is illegal!
curated by Simona Lodi
For some years now, it has become common among digital artists to focus on illegal art practices. Countless Cease & Desist letters have been sent out by companies to pirates, plagiarists, hackers and disturbers, which are shown off as trophies in exhibitions, web communities and mailing lists. Action artists promote controversial forms of art, using guerilla tactics to protest against the fairness of copyright and intellectual property laws.
Receiving a Cease & Desist letter has become the latest badge in championing the freedom to create in the Corporation Age. Any artist interested in taking part in the movement chooses a good lawyer rather than a good gallery owner. What is happening to the future of art? What rights and freedoms are these artists championing? Does all this have something to do with the end of techno-utopias?
In what way has business co-opted the values of hackers, exploiting open source initiatives, web freedom and on-line equality and sparking the use of these practices?
List of Artists and works:
0100101110101101.ORG | Eva & Franco Mattes
Performmikka Internettikka (internet performance)
An evening with internet/teleperformances by Annie Abrahams, Christophe Bruno, Constant Dullaart, Robin Nicolas and Igor Stromajer & Brane Zorman, focused on the relations between contemporary performance practice and the internet.
With performances by:
Annie Abrahams, Huis Clos : No Exit - On Translation
Christophe Bruno, Human Browser
Constant Dullaart, Arranged online moments
Robin Nicolas, Removal, about an event that occurred (video-versie)
Igor Stromajer & Brane Zorman, Ballettikka Internettikka Insecttikka
Performmikka Internettikka focuses on recent new possibilities surrounding tele- or internet performance. With the increased speed of internet connections in recent years and the omnipresence of the net, it has not only provided these media artists with inspiration, but also with a platform and a medium. In their work the participating artists respond in various ways to the technical possibilities and limitations of the internet, and to the implications the medium has for content. How does a simultaneous and collective performance being carried out at different places around the world look? What does the delay and distance contribute to the chances and limitations? How does an audience deal with viewing a live 'event' with illegal recorded images that are being made at that moment somewhere else in the world? In addition, the artists respond with irony to the Internet as a source of entertainment, and as a capitalist instrument. In short, what does the internet contribute to contemporary performance art practice in terms of inspiration, mediation and as a platform?
Bakteria
Launch Bakteria.org
ZurG_e: >D< uN PrO_C_ZO0o ExPe_riMen>tal GeN_Erat_ivOo (a) PaR_tir >D< U_n KOoOooD_igOo Tan // Zimple K.omo. L/o EZs > un P_unto > y < un_a L>iiiiiiinea Ke se Kon_fi>gura En Un tra_zo Ke flu_ye En >una< “EnTi_daD” Zin Par_tir De / U_nA i>dea PreK>onCebi>da. Un Pro>c/eZo /eN/ Kons_TruKci_0n d_e KrE.AZion/:LU_diKo Kon_ce>p(tu)aL> Ke D>rivA D Un_a Zim_bio_sis De EntEZ Ag_rU//pados))= en = ZEr Org>A_N"iza"Do ((( YO ))) Ke (c) ext>E_riorizA_N Flu_yenDo D_eL (i)n:KonZci>ente ON|i|riK/o .a. U.N Me/dio KonK>re>to Pa-ra Re/preZen>tar(c) En.EL EZs-PaCi-o DiX>ita_l E in_fE_ktaR (X) -Me/dio- >d>La INterakzION a iNn/di=BI DuoZ o ,Ne>ti/zen’s Del eEN_te Or//Gani_za//do en Zimb_i-oZiZ KoL>ect'iva “>>la red<< “
Composition with JavaScript
Launch project
Composition with Javascript is an interactive work made using HTML, CSS, Javascript and jQuery, based on Piet Mondrian's “Composition with Yellow, Red, Black, Blue and Grey” (1920). It allows everybody deconstruct the original painting and form it again in whatever he or she wants. Lines are shiftable (just drag it with your mouse) and colours changeable (click on it). Texture of the painting was preserved for authentic look. One can play with composition, forms and colours, alter the harmony of the piece or even destroy it and compose something pictorial (see examples).
I used similarity among Mondrian grid structures and tabular web interface to make this project which aims to represent the relationship between modernity and postmodernity (or rather the way in which we as people living in postmodern epoch treat the art of modernism) and main cultural shifts concerned: from distance between artist and public to participation, from finished work to ongoing process, from purpose to play, from creation, totalization to deconstruction, from metaphysics to irony and so on.
Tweeting Colors
Tweeting Colors is webpage comprised of vertical color bars created by special tweets from Twitter users. New bars are added from the left, pushing the existing arrangement to the right. Working with the Twitter feed is nothing new to A Feverish Dream, yet unlike Journal of the Collective Me or Ellsworth Kelly Hacked My Twitter, this piece allows the audience to directly manipulate the resulting visual. Anyone can view the piece, but a Twitter user can add bars by following these simple directions. The page auto-refreshes a few times a minute, so sit back and enjoy the Color Feed.
SY.SMN - SeeYou.SeeMeNot
SY.SMN - SeeYou.SeeMeNot
intimate surveillance: zero tolerance
with html, java & sasa savel
by intima | virtual base
antwerpen, belgië - november 2002
intimacy = (her) obsession | fantasy = deeper & deeper | obsession = dis/appearing
frustration = repeating | loop = danger | one = not enough x 3 | me = her web cam
ms ie 6+, java, wav, opt. 1024x768
The Folksomy project
you-talking-to-me-you-talking-to-me-you-talking-to-me.com
then-who-the-hell-else-are-you-talking-to.com
you-talking-to-me.com
well-i-am-the-only-one-here.com
who-the-fuck-do-you-think-you-are-talking-to.com
Launch The Folksomy project
JODI's ongoing performance project, The Folksomy Project, takes YouTube as source material, with the artists utilizing custom software to select and manipulate user-generated videos from the popular website. Armed with a virtual "juke-box" of video clips, JODI focuses on YouTube users love-hate relationship with new technologies, from iPod love ballads to laptop smashing. As with much of JODI's work, The Folksomy Project is a study in how online systems (dis)function.
Spook
Spook... is a distributed web based artwork which explores issues of surveillance, tracking and covert activity on the web in an interactive website based on the conventions of computer games.
On June 1st 1999 an unusual pattern of hits was noticed on the Stunned ArtZine server. Stunned ArtZine a contemporary visual art site does not normally receive a large number of hits from military sites yet unusual activity from a military server known by the identifier "gate1.mcbbutler.usmc.mil" was logged.
In response to this activity a server trace was initiated using the Stunned Spook-Bot™. Spook-Bot™ over time tracked this military server's path through the net, mapping and logging it's activities. Spook-Bot's continuing activities are an important ongoing part of this project.
This project seeks to analysis this raw data and establish a purpose for this activity. As part of this we invite visitors to submit their theories on the purpose of this server activity in the feedback section.
A version 4 browser is required. There is some Flash and some Real Audio and video, these are not essential but they add to the experience. To get the free plugins follow the links to the left of the page
IMPORTANT - don't kill the pop-up window it's your navigation not an ad!
No men's land
Launch No Man's Land
In her project 'No Men's Land' cym tries to capture something of the rapid changes that are happening to the borders in Central Europe. Since 1995 cym is traveling regularly between the former West- and East-European countries and she has followed the so-called 'opening of the borders' very closely. In her project 'No Men's Land' she is following the main border that used to divide Europe in East and West.
My existence in the network - Environment
Launch project
Project being ephemeral variation placed in time and net space. Return to existing localisations, reorganise structures and navigational contexts creates changing environment, unstable in their news character, imitating informational tissue of net. Virtuality, hypertextual, ephemeral, interaction, digital aesthetics, activism.


