Submissions
SUBMIT net-art works / links / info
Titanium White Contemporary Art Gallery
Titanium White contemporary art gallery is a committed but ironic net-art work by artist Daliah Mitsuko. In classic aseptic atmosphere of a standard contemporary gallery we can see works by strange artists who come from Mercury or housewives, corpses, ethereal things... Concept is: artists and young people who are searchin' for a job are like aliens, corpses, no-genre people etc. But work also speaks about stereotypes in art and in social society, in each artwork we can recognize standard rules of contemporary art and society, because young artists and people are constantly forced to join the "cliché".
Work is inspired and devoted to early Net Art of the 90's, commited to social causes.
Daliah fragments herself in many personality to tell us the alienation produced by job world and society to young people and especially to artists.
TITANIUM WHITE CONTEMPORARY ART GALLERY
- 48 reads
n.e.t.
r0. / n.e.t. http://vimeo.com/25738617
r0. visual art
http://r0inconnu.blogspot.com/
- 79 reads
Tunedeaf
Who owns silence? On the surface, this question seems as absurd as asking who owns sunshine. Yet, the sounds and music that surround us consist largely of silence; in the gaps between the notes to the quiet at the beginning and ending of recordings to recordings that contain nothing but silence alone. It is on the latter that Tunedeaf addresses.
Tunedeaf is an imitation of Apple’s iTunes website where specific sound files, encoded as high quality .wav files are available for download free of charge and copy protection. All the files posted on Tunedeaf are available from iTunes at their standard rate of $.99 per track. What all these files have in common is that they consist entirely of total silence. This material is available free of charge, in the hopes that it will inspire dialogue concerning the nature of ownership; if the ownership of silence seems absurd, is the ownership of sound not also equally as illogical? Read more »
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- 106 reads
Passing Through
Passing Through is a net.art piece that is interactive and involves text, images and sounds. Created entirely by the artist Alexander Mouton in 2010, the work entails a linear nocturnal amble that juxtaposes still images with sounds of movement, unpopulated city locations with overheard conversations from the self same empty spaces. Through the juxtapositions of media there is a social critique of societal norms --whether of an institutional nature or pertaining to individual disengagement-- while simultaneously celebrating the beauty of both the natural and man made world. All of the images have links within them to move through the spaces and some have text. Passing Through is best experienced with headphones or through a quality audio....
- 145 reads
Aleph Null: interactive generative art with the HTML 5 canvas tag
Aleph Null makes color music. Colors are tones. Musical notes are tones. Music is tones moving in time. Aleph Null makes changing color tones move in time. There is no audio.
Aleph Null is an instrument of color music. And an art work. It'll play on it's own. But it profits immensely from a human player interceding continually. It's interactive online art.
- 184 reads
Controlling_Connectivity (online performance)
Art Laboratory Berlin is pleased to invite you to participate in the online performance art piece and six week exhibition Controlling_Connectivity, by the Berlin based Australian artist Gretta Louw.
This project is interested in exploring the boundaries of the unconscious under today’s radically altered perception of time - and the role technology plays in this. The project combines the traditions of performance art, installation and video art with technology and psychology.
The artist plans to do a ten day on-site performance (isolated in the gallery space, using technological interfaces to be in contact 24/7 with the outside world) and display documentation in the subsequent exhibition. The focus will be on the notion of connectivity in relation to technology, the internet and social media. During the performance the artist will be constantly available for online interaction with the public over a multitude of platforms. There will also be a number of special events such as web casts and interviews..
Selected events during the performance (CET= Berlin time):
02.11. 2011 - 12-13 hrs GMT (13-14 CET): google + hang out to mark the start of the performance.
03.11. 2011 - 19-21 hrs, CET: 30th birthday party online (google + hangout, twitter, facebook, skype). Read more »
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- 284 reads
Dérive, networked interactive installation by François Quévillon, 2011-ongoing.
Dérive is a networked interactive installation that invites the public to explore 3D models of urban spaces that are transformed according to environmental data collected in real time on the Web. The installation is a work in progress that features 3D point clouds of various locations on Earth that are created by the use of photogrammetry and geomatic data. Information about local envrionmental conditions are transposed to the point clouds in order to visualize them : Point color defined by temperature and cloudiness, size by the local time related to sunrise and sunset, depth of field effect related to visibility, displacement depending on wind direction and velocity, etc. A video tracking interface enables the public to interact with a large scale projection.
In a time where the reality of urban territories hybridizes with the digital world, the installation uses fluctuating data provided by the network to translate the development of environmental, meteorological and astronomical phenomena affecting the locations shown at the moment of the public's experience. Connecting the actual and the virtual, Dérive inquires the phenomenology of mixed realities and probes into the changing nature of our perception and representation of the world.
More information, images and videos available at the following link:
http://www.francois-quevillon.com/html/en/node/200
- 172 reads
Google, One Year Performance
Since January 1, 2011, Interface Artist Johannes P Osterhoff publishes all of his search queries with Google in a One-year Performance called “Google”.
The term One-year Performance has been coined in the 1970s by Tehching Hsieh. Of his own free will, Hsieh spent one year captured in a cage, punched a time clock every hour on the hour for one year, or spent one year entirely outside of any building.
Osterhoff updates the genre One-Year Performance and takes it into the context of “post-privacy” and the domain of modern information retrieval.
How Does It Work?
“Each time, I perform a search with Google, this search immediately is published online.”
Most queries are tracked by a modified dictionary plug-in. When Osterhoff enters a search word into the search bar of his browser, this search is tracked by a PHP script and sent to a modified blog software. On this page, the public list of search results immediately is updated.
In case he enters a search from the various Google web sites, searches from the web, image, video, maps, news, shopping and scholar sections are tracked by a browser extension. In case he refines searches with Google Instant, this extension publishes all searches that are confirmed by pressing enter. Read more »
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- 238 reads
The Pietro Cannata's blackboard
“The Pietro Cannata's blackboard” is a version of a “Jackson Pollock” using the Pietro Cannata's style, in which it is recalled the anti-art performance of Cannata, adding value to his action and by this way positioning him in art history. “The Pietro Cannata's blackboard” it is also an invitation to every viewer to transgress and being part at completing the Pollock's work.
http://3.14159265358.org/blackboard.html
http://3.14159265358.org/blackboard.html
http://3.14159265358.org/blackboard.html
Author: Gonzalo Fernandez
- 346 reads
