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DOCUMENTS

Data Browser 04: Creating Insecurity

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'Has art become the last remaining enclave of a critique of violence? Yet how 'risky' can art be?'

'Today we are facing extreme and most dangerous developments in the thought of security. In the course of a gradual neutralisation of politics and the progressive surrender of traditional tasks of the state, security imposes itself as the basic principle of state activity.

Submitted by net-art on Mon, 12/21/2009 - 18:15
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0100101110101101.ORG

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Featuring previously unseen works, this book is the first official monograph on the artists-provocateurs Eva and Franco Mattes aka 0100101110101101.ORG. Over the last ten years, the Mattes have manipulated video games, Internet technologies, feature films and street advertising to reveal truths concealed by contemporary society.

Submitted by net-art on Fri, 12/11/2009 - 21:55
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A Collection of Many Problems (In Memory of the Dead Media Handbook)

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"A Collection of Many Problems" by Garnet Hertz, extracted out of the Ancient and Modern Philosophers: as, Secrets and Experiments in Informaticks, Geometry, Cosmography, Horologiography, Astronomy, Navigation, Musick, Opticks, Architecture, Statick, Mechanics, Chymistry, Water-Works, Fire-Works, &c. In memory of the Dead Media Handbook.

Submitted by net-art on Fri, 12/11/2009 - 00:44
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Mark Amerika—The renewable tradition (extended play remix)

Drawing from a network of appropriation artists, process philosophers, performance poets, pla(y)giarists, and other remix provocateurs, this experimental artist essay investigates the act of remixologically inhabiting the body language of others and, in the process, devises an aesthetic theory that situates the contemporary artist as a "postproduction medium" whose methodologies further extend avant-garde practice into the 21st century.

Read the article on Fibreculture

Submitted by net-art on Tue, 12/08/2009 - 20:28
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3rd Inclusiva-Net Meeting: Trans.Form.Work | Internet-based Art in the Real Space

“Translation is a mode.” (Walter Benjamin) — Why is it still easier to get an entire museum collection on the Internet than to get a single work of Internet-based Art in a museum space?

Submitted by net-art on Sun, 11/29/2009 - 19:41
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TOOLS

Cinelerra

Cinelerra is the most advanced non-linear video editor and compositor for Linux. It is developed by Adam Williams (formerly known as Jack Crossfire) at Heroine Virtual Ltd..
To know more see the official Cinelerra home page and the SourceForge project page.

Submitted by net-art on Mon, 02/08/2010 - 21:08
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Aqsis

Aqsis is an open source 3D rendering solution adhering to the RenderMan standard.

Submitted by net-art on Mon, 02/08/2010 - 21:04
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Cinepaint

CinePaint is a deep paint image retouching tool that supports high color fidelity painting tools.

CinePaint is used to retouch feature films and in pro photography. CinePaint opens high fidelity image file formats such as DPX, 16-bit TIFF, and OpenEXR, and conventional formats like JPEG and PNG. It has a flipbook for movie playback of image sequences in RAM. It supports 8-bit, 16-bit and 32-bit color channels, HDR and CMS.

Submitted by net-art on Mon, 02/08/2010 - 19:02
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Cinefx

Cinefx is a suite of open source, cross platform media playback, encoding, visual effects and editing digital content creation tools.

Submitted by net-art on Mon, 02/08/2010 - 18:56
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Synfig

Synfig is a powerful, industrial-strength vector-based open-source 2D animation software package, designed from the ground-up for producing feature-film quality animation with fewer people and resources. GNU/Linux.

Submitted by net-art on Mon, 02/08/2010 - 18:54
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