For the last three years, Rhizome and Chronus Art Center (Shanghai) have partnered to present the Prix Net Art, a cash prize that goes to artists who are committed to working online and who represent important directions in contemporary net art practice. In the past, two artists have been awarded, but this year, after much deliberation, the jury—comprising Zhang Ga, Artistic Director of Chronus Art Center, Distinguished Professor at China Central Academy of Fine Arts; Lauren Cornell, Associate Director of Technology Initiatives and Curator at the New Museum; Christiane Paul, Associate Professor in the School of Media Studies at the New School and Adjunct Curator of New Media Arts at the Whitney Museum of American Art; and Aria Dean, assistant curator of net art and digital culture at Rhizome—elected to recognize three recipients, each of whom will receive $5,000.
After considering a rich field of candidates nominated by the general public and invited expert nominators, the jury selected two artists and an artist duo who represent differently formulated but intersecting concerns and directions in the field of net art. Read more »
quote: 'net.wurk][.Phonet][r][ix][ n.sert no here xXXx '
"Mez does for code poetry as jodi and Vuk Cosic have done for ASCII Art: Turning a great, but naively executed concept into something brilliant, paving the ground for a whole generation of digital artists." (Florian Cramer). The impact of her unique code/net.wurks [constructed via her pioneering net.language "mezangelle"] has been equated with the work of Shakespeare, James Joyce, Emily Dickinson, and Larry Wall. Mez has exhibited extensively since the early 90s.
See also: Javamuseum Mary-ann Breeze, Solo
Heritage - an interactive movie by Nicolas Claus
with Jean-Jacques Birgé, sound
"We cannot hope to only leave our children a bigger car, a bigger bank account. We must hope to give them a sense of what it means to be a loyal friend, a loving parent." -George Bush, Sr. Quotes and TV images of George Bush--father and son--put together in what could be described as the Bush psychoanalytic nightmare. A sarcastic look at a heritage story which poses questions about the world we are leaving to our children. (source:Turbulence)
Launch The Status Project.
Our identity can be thought of as a portfolio of
both private and public contracts both expressed and
implied with other people and organisations.
'The system' consists of the commons of our
The status project is mapping these links on a
personal and national level producing maps for both
comprehension and mobility.
"Since 2004 artist Heath Bunting has been developing the Status Project, an exploration of the inter-relationships of UK status including citizenship, education, finance, identity, social security, work and utilities. The Status Project centres on an online database from which status maps have been generated and brought together in 0-9 The System Deluxe to create a unique A-Z of UK status."
Superenhanced Generator v2.0 - Launch project
The Superenhanced Generator is an interrogation software which automizes, dehumanizes, familiarizes and therefore optimizes examination. The willing user is presented a set of questions; it does not matter if ones answers truthfull, lies or avoids being specific, the system looks for answers it needs to satisfy it's database. The digital tool uses google and facebook to back-check on personal user-data thus generating further intelligence. The questioning does not stop after one session, but continues via email and in real-life during performances, bio-mechanic aspect of the project, the machine interrogates, controls, instrumentalizes and decides about interrogated humans thorough human interfaces (interrogators). Read more »
Locative Painting is a locative web/mobile artwork that forms a painting on the screen where the strokes are giving by the participants according to their geographical position (zip code). The participant chooses the stroke color and his/her stroke is given from the previous participant's position to his/her location on the screen. After participating, the person receives the painting with his/her stroke by email and SMS (on the cell phone). Each person has his/her moment in the painting and the strokes connecting people creates the painting community exchanging and crossing paths.
make art is an international festival focussed on Free/Libre/Open Source Software (FLOSS) and open content in digital arts. make art offers performances, presentations, workshops and an exhibition, focused on the blurred line between art and software programming. The festival is dedicated to all free software artists, open hardware hackers and command-line fetishists out there. Read more »
The Netherlands Media Art Institute presents: Versions
28 November, 2009, through 6 February, 2010
Netherlands Media Art Institute, Amsterdam
Opening Friday, 27 November, 5:00 p.m.
Continuous performance by Constant Dullaart
Tuesday 8 December, 8:30 p.m.
An evening with: Hacked Chinese Software, Browser Plug-ins, Redacted Sculpture and Web Landscaping by Harm van den Dorpel, Constant Dullaart, Martijn Hendriks en Theodore Watson.
Artists: Harm van den Dorpel, Constant Dullaart, F.A.T.Lab, Martijn Hendriks, JODI, Oliver Laric, NastyNets, Theodore Watson, a.o. Read more »
Video editing is the process of cutting and pasting video sequences, in order to create a fluid, often narrative, combination of images and sound that develops in time following a certain structure or story board. While analogue video editing requires both a substantial investment in equipment and an aesthetic project, for example a detailed edit list and a well structured script, digital video editing on the other hand has become much more accessible. It is an easy and experimental way to create combinations of any type of footage. Huge databases of video images are readily available and the costs for setting up a home made video editing station are progressively decreasing. Software applications are more reliable, stable and easy to find, machines are faster, video cameras cheaper and hard drives larger. Digital video editing, a non-linear or non destructive method (in comparison to the physical cutting of the negative in film), can also be viewed as the audio/video equivalent of word-processing.
Read the whole article on Digital artist handbook
Will Art Criticism Survive the Digital Age?
International Seminar, De Balie, Amsterdam
Wednesday December 9, 2009, 14.00 - 17.00 hrs (CET)
Doors open: 13.30
The digital revolution has profound effects on the status of art criticism. With newspapers and other printed media in decline, the traditional platform for critical reflection on art has shrunk or shifted towards electronic (web-based) media. At the same time the presence of art criticism on the internet is mostly limited to the “blog” – a format that celebrates an impressionistic, subjective and often populistic point of view. More substantial forms of web-based criticism are still rare to be found. Read more »
Location: Atomium, Brussels
20-21 November 2009
live stream on for the Video Vortex V conference at the Brussels Atomium.
You can follow via: from 13h30 on ustream: Live stream
more info: Cinematics festival
Video Vortex V is organized by Cimatics festival 2009 in cooperation with the Institute of Network Cultures in Amsterdam and supported by KASK (Faculty of Fine Arts, University College Ghent) and the Center Leo Apostel (CLEA).
On November 20-21 2009, Cimatics festival is hosting the 5th Video Vortex conference. Two years after its first edition, Video Vortex returns to Brussels, this time hosted in one of the great icons of mid 20th century modern architecture: the Atomium. Read more »