Spotlight: Oculart
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Geoffrey Lillemon (1981 USA) brings a classic romantic painting and drawing style to technology to reinterpret artistic practice. As one of the leading artists of the Net Art Movement, Lillemon has consistently foregrounded the interplay between the digital and physical world in his work, blending the traditional mediums with interactive animation that responds to human touch, brainwaves, and even heartbeats. Using various art forms, from mixed and moving media to literature and soundscapes to classic portraiture, he creates works of hallucinatory poetry that reach into the infinite depths of the subconscious where the real and the imaginary interact. Lillemon has exhibited internationally as Oculart, including being the Invite d'Honneur at the Centre Pompidou, was a founding member of studio Champagne Valentine, and is currently an artist in residence at Random, Amsterdam, Netherlands
- 1295 reads
ART PROJECTS
Ciro Múseres: projects
Ciro Múseres. I would like to share some of my artwork with you.
Untitledocument
2005
http://www.untitledocument.com.ar
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Spamky
2007-2008. blogart
http://www.spamky.blogspot.com/
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Yes we are
2008
http://yesweare.info
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3HASHTAG SINTÍTULO
2011
http://museres-ciro.com.ar/portfolio/3ht/
- 69 reads
Pages in the middle of nowhere (former First and only real net art gallery
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Art Teleportacia, a web gallery of the works of Olia Lialina, which also features links to remakes of her most famous work "My boyfriend came back from the war"
- 1056 reads
Noplace
noplace locates numerous utopian inputs from the Internet and uses these data feeds to create virtual architectures. Photo and audio streams of opposing utopias are played side-by-side; the text descriptions of the content used to synchronize divergent paradises to create a narrative flow.
noplace online has now finished. The movie archive: noplace online
- 1574 reads
Nobody here
A blog reconfigured as an interactive experience, Nobody Here. The viewer is invited to play, though the goofy fun of the interactive elements is balanced by the emotional weight of the writing. Visitors can also choose an insect icon to represent themselves, then leave comments on individual pages. If you encounter Herman the hermit crab, try shaking him out of his shell.
- 1916 reads
Nonrepetitive
Sound artwork: Nonrepetitive by Achim Wollscheid
Through the graphical interface the user/participant can influence the parameters of a sound data generator, effecting things like sound colour, density and complexity. The impact of the change can be seen on the interface by other users visiting at the same time, in another place and they may also mutually interfere through the interface, in order to change the generation of sound.
Once you grab the line - representing the present wave spectrum of what is to be heard - and change it, any other user online on this page will witness the alteration. In other words, this piece is not an applet that you download, but an online piece that you actually change on the server while others can watch, listen, and equally interact. The piece is thus subject to a play or negotiation between partners.
- 1277 reads
exq=.s.te =n.c&de/s
SOD
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JoDi's SOD is a modification of the game Wolfenstein. You can actually attempt to play the game, but everything is scrampled. SOD is a modification or "hack" of id Software’s action game Wolfenstein 3D. The goal is to escape from a Nazi dungeon.
The game is a space that is loosely architectural and extremely disorienting. It is easy to get lost, and it can be difficult to distinguish the walls from the targets one is supposed to shoot. JODI complements the game-play difficulties with a cryptic interface (setting game preferences is no easy task!) and tongue-in-cheek game instructions along the lines of "If you are tough, press N. If not, press Y daintily."
NEWS
Net.artdatabase
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Currently you are developing a concept to contextualise Internet-based Art by recording users in front of their screens as they interact with the artwork, which is then documented. This seems to offer a brilliant way to shift the focus from the technological condition of Internet-based Art to its use in everyday culture—can you explain the aims of this project more in detail? Read more »
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net-art on temporarystedelijk.com
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Temporary Stedelijk (7) is the last exhibition of temporary stedelijk. Since February 2012, Kalle Mattsson and Amber van den Eeden, have organized four online exhibitions on temporarystedelijk.com and temporarystedelijk.nl. They bought these domain names when they found out the Stedelijk Museum had neglected to do so.
In the first three exhibitions ‘Temporary Stedelijk (4), (5) and (6)’ the works of young, well known and less well known artists from Amsterdam were shown. Artists who are connected to the city of Amsterdam.
In this last virtual exhibition they have chosen to show net art: They thought this was a fitting way to end our online initiative. Net art is a field in which the Netherlands has played a significant role on an international level since the beginning of the 90's. Yet, within the Netherlands it keeps escaping the attention of most curators, museums and therefore the audience.
They have put together a collection of works by the very early pioneers and the young generations of net artists of today. It gives an overview of what has happened in the field of net art over the last 17 years. Read more »
CyberZoo
Cyberzoo is a virtual zoo where it is possible to experience the wildest expressions of the artificial life in the security of your computer.
The mission of CyberZoo promotes the conservation of endangered species and the habitats in which they live. CyberZoo is involved in international programs of protection of threatened species, and participates in different projects from recovery and reintroducción of artificial life.
Conservation of the biodiversity
The mission of CyberZoo promotes the conservation of endangered species and the habitats in which they live. CyberZoo is involved in international programs of protection of threatened species, and participates in different projects from recovery and reintroducción of artificial life.
- 1242 reads
The commodification of net-art
Slides for a short lecture presentation Jennifer Chan gave on selling internet art (both commercial and alternative economies). Salon 1 "The Art of Success" with co-presenters Jeff Stark and Zach Blas, Abandon Normal Devices Festival in Manchester, UK on August 30, 2012.
- 996 reads
Souvenirs from Earth
- 841 reads
transmediale 2012: web video – the new net art?
transmediale 2012: web video – the new net art?
transmediale 2k12 | 31 January – 5 February 2012
in/compatible
Haus der Kulturen der Welt, Berlin
transmediale 2012 |http://www.transmediale.de/content/webvideo-new-netart
Wednesday, 1 February 2012
15:00 – 17:00
25 years of transmediale | web video – the new net art? | panel with Robert Sakrowski, Constant Dullaart, Petra Cortright, Igor Štromajer
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If net art is cashing in on the utopian promise of video art, what dream does net art have left for itself? Has it come full circle? Is net.art now at its end? And is it true what the net art veteran Mark Amerika proclaims via Twitter, that “video is the new net art”? Read more »
SPAMM - Super Art Modern Museum
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Curated by Thomas Cheneseau + Systaime, Spamm (Super Art Modern Museum) is a new online art gallery featuring an impressive list of artists — JODI, Françoise Gamma, Angelo Plessas, Mr Doob, Rosa Menkman, Jeremy Bailey, Petra Cortright, among many others
SPAMM MANIFESTO
Visual arts have entered a new era. It’s a place where immediacy rules, where visual arts becomes virtual, a place that links the world together. A new era for artists who have invented new concepts, using digital medias, from video to graphism, static, animated or even computer-programmed. They have created a flamboyant design for a super-society created in the Web’s image. Read more »